Title | THE EMOTIONAL TRAILER |
Brand | MELBOURNE INTERNATIONAL FILM FESTIVAL |
Product / Service | MELBOURNE INTERNATIONAL FILM FESTIVAL |
Category | C03. Ambient Use of Digital Technology |
Entrant | McCANN MELBOURNE, AUSTRALIA |
Idea Creation | McCANN MELBOURNE, AUSTRALIA |
Media | McCANN MELBOURNE, AUSTRALIA |
PR | McCANN MELBOURNE, AUSTRALIA |
Production | McCANN MELBOURNE, AUSTRALIA |
Name | Company | Position |
---|---|---|
Adrian Bosich | Airbag Productions | Managing Partner |
Johanna Rayner | Airbag Productions | Producer |
Adrian Mills | McCann Melbourne | Managing Director |
Patrick Baron | McCann Melbourne | Chief Creative Officer |
Andy Jones | McCann Melbourne | Creative Director |
Andy Jones | McCann Melbourne | Creative Director |
Alex Wadelton | McCann Melbourne | Creative Director |
Alex Wadelton | McCann Melbourne | Copywriter |
Caroline Macmillan | Mccann Melbourne | Agency Account Director |
Milly Dunn | Mccann Melbourne | Account Manager |
Victoria Conners | McCann Melbourne | Head of Broadcast |
Anne Comber | McCann Melbourne | Agency Producer |
Afrim Memed | Mccann Melbourne | Assistant Producer |
Eliza D'Souza | Airbag Productions | Producer |
Tony Prysten | McCann Melbourne | Head of Digital |
Rebecca Earwaker | McCann Melbourne | Digital Producer |
Joe Guario | McCann Melbourne | Technical Lead |
Patrick Jennings | McCann Melbourne | Director |
Rob Stock | Airbag Productions | Executive Producer |
Steven Nicholson | Airbag Productions | Creative Technologist |
We first held special preview screenings with movie critics to capture the 6 key human emotions of fear, anger, surprise, disgust, sadness and happiness for every film at the festival via our custom mobile app and biometric sensors. This data created an Emotional Script condensing an entire 2 hour film into under one minute. The data was then fed via electric stimulation into the facial muscles of willing participants to act out the emotional arc of an entire film, using the human face as a display. Before each film at the festival, audiences experienced the Emotional Scripts in a custom-built movie chair we called the Emotion Simulator. The simulator sessions sold out within two days. These live experiences were filmed, creating Emotional Trailers for every film at the festival, that the audience in the cinema, watching the live stream or on social media could book tickets from.