BATIK FACTAL

TitleBATIK FACTAL
BrandINTEL
Product / ServiceINTEL 2ND GENERATION CORE PROCESSOR
CategoryA04. Cinematography
EntrantAMSTERDAM WORLDWIDE, THE NETHERLANDS
Entrant Company:AMSTERDAM WORLDWIDE, THE NETHERLANDS
Advertising Agency:AMSTERDAM WORLDWIDE, THE NETHERLANDS
Production Company:@radical.media Sydney, AUSTRALIA
2nd Production Company:PERSONA PICTURES Jakarta, INDONESIA

Credits

Name Position
Richard Gorodecky Chief Creative Officer
Joseph Ernst Creative Director
Martin Beswick/Karen Cardy Copywriter
Martin Beswick/Daniel Peiron Art Director
Jordan Kelly/Lars Fabery De Jonge Agency Producer
Megan Wooding Account Supervisor
Johan Koning Advertiser's Supervisor
Holly Alexander/Helen Moraham/Azren Irwan Producer
Hannah Hilliard Director
David Whittaker Editor
Rosie Chase Sound Design/Arrangement
Heckler Post Production
Rosie Chase Music
Desislava Staykova Account Manager
Uli Kurtenbach Planner
Chris Miles Director Of Photography
The Editors EditingCompany
Desislava Staykova Account Manager
Uli Kurtenbach Planner
Chris Miles Director Of Photography
The Editors Editing Company

Brief Explanation

One of four profile films promoting Intel’s new 2nd Generation Core Processor, ‘Batik Fractal’ is a glimpse into the renaissance of modern Indonesia through the eyes of a young designer and businesswoman, Nancy Margried. Nancy’s Bandung-based studio – named Batik Fractal – create their own modern vision of batik fabric and clothing by fusing traditional methods of batik production with 3D modeling technology during the design process. Using mathematical software, Nancy and her team are able to construct geometric ‘fractal’ diagrams to create intricate new batik patterns that are inspired by the nature, architecture, art, and photography around them. The film opens with scenes of busy Indonesian city streets and verdant rural landscapes, portrayed to echo the geometric design cues found in Batik Fractal’s work. The five-minute profile includes a tour of Indonesia’s sights and sounds, close-ups of new patterns being rendered with Batik Fractal’s software, and the process of creating batik prints. The cinematography portrays a sensitive, understated snapshot of a nation respectful of its unique culture, while searching for a way forward, incorporating technology into daily life. The overall effect is a stunning picture of a country at the crossroads of the ancient and modern.